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    黏土藝術的意義——From Mud Design工作室第1張圖片

    From Mud Design Studio / Rawan Muqaddas

    由專筑網小R編譯

    這位來自From Mud工作室的年輕陶藝家認為,在科威特城市中心可以進行療愈且神奇的黏土雕刻藝術品的制作,那么這個空間就這么形成了,禪意工作區所在的建筑位于科威特城市紡織市場,這是一座建造于1967年的現代主義建筑,工作區的設計靈感來自于黏土工藝本身的美感及其簡約特征,工作室的整體設計策略通過清晰的線條和柔和的面板得以表達,表達了工作室所蘊含的理論內涵。

    Text description provided by the architects. The young ceramicist behind From Mud felt a need for the therapeutic and magical art of clay sculpting in the heart of Kuwait City; this was how the space came to be. Sitting comfortably on the first floor of a 1967 Modernist building in Kuwait City’s textile market, the zen workspace draws inspiration and texture from the beautiful craft of clay and its simplicity. The studio’s holistic approach is conveyed through clean lines and a soothing palette that reflects the binding theory behind the studio’s own ethos.

    黏土藝術的意義——From Mud Design工作室第2張圖片

    黏土藝術的意義——From Mud Design工作室第3張圖片

    黏土藝術的意義——From Mud Design工作室第4張圖片

    黏土藝術的意義——From Mud Design工作室第5張圖片

    From Mud工作室始于對于黏土產生的運動觀測,其中包含從陶藝家自身的運動,到黏土構成的流線形態,其中最為特別的是光線的分布模擬了建筑的混凝土立面,同時在空間中構成簡單的投影,并且通過凹槽玻璃而給使用者帶來隱私,周圍的支架由鋼和木材構成,這是立面元素的延續,構成了寧靜且具功能性的環境,這強調了陶藝家希望讓人們都能夠杰出黏土藝術的目的。

    The inception of From Mud started with the observation of the movements taking place while creating with clay; from the ceramist’s own motion to the fluid lines formed by the clay itself. One of the most inviting features is the light distribution that mimics the building’s concrete façade and casts uncomplicated shadows on the space, allowing privacy through the fluted glass. As a continuation of the façade itself, the perimeter shelving’s combination of steel and maple wood creates a calm and functioning environment that reinforces the young potter’s mission of making clay art accessible to everyone.

    黏土藝術的意義——From Mud Design工作室第6張圖片

    概述——From Mud是一個以黏土為媒介的設計工作室,其目標是發現、研究,以及創造結構空間,而在這個空間里,不同的技術程度都能夠創造出藝術品,那么這樣的空間里就需要有陶藝家工作所需的存儲與置物空間、窯房、半私密工作室,以及休息區。

    主要挑戰——優化空間,創造最大程度的存儲空間和使用效率

    The Brief - From Mud is a design studio with clay as its medium. The brief was to give structure to a space of discovery, research, and creation where all levels of skill can come in to create a finished piece to take home. The requirements included storage and shelving that corresponds to the daily routine of the ceramicist, a kiln room, a semi-private office, and a lounge area.
    Key challange - Optimize the space to create maximum storage and efficiency.

    黏土藝術的意義——From Mud Design工作室第7張圖片

    主要產品的應用——來自馬來西亞的實心木材由當地工人在場地之外制作,不銹鋼、粉末涂層金屬所構成了具有適應性的貨架系統、支架,以及凹槽玻璃,光影的強調是整個設計的關鍵部分,其中需要充足的自然光線,建筑師把建筑立面的韻律帶入到周圍貨架系統之中,人們可以感受到立面光影和室內空間的相互作用,同時結合凹槽玻璃,構成半透明的空間形態。

    Key products used - Solid and veneered maple wood sourced from Malaysia that was fabricated on and off-site by local craftsmen. Stainless steel, powder-coated metal adjustable shelving system and brackets, and fluted glass. The emphasis on light was key throughout the design phase as the importance of natural and adequate light while crafting clay was in question. By interpreting the building façade into the rhythm of the perimeter shelving, you begin to see the interplay and juxtaposition of the facade's shadows against the interior at different times of the day. The fluted glass was then introduced to create translucency and allow for privacy where needed.

    黏土藝術的意義——From Mud Design工作室第8張圖片

    客戶Aisha Al-Saif是一位來自科威特的陶藝家,她認為在科威特的城市中心需要有這么一個療愈的空間,她能夠教授歷史乃至全球的各項不同陶藝技術,讓每個人都體驗黏土設計的藝術。

    Client - Aisha Al-Saif, a Kuwait-based ceramicist who felt a need for the therapeutic space in the heart of Kuwait City. Her mission is to make design through clay accessible to all through teaching different techniques from throughout history and around the globe.

    黏土藝術的意義——From Mud Design工作室第9張圖片

    黏土藝術的意義——From Mud Design工作室第10張圖片

    特別的項目——科威特紡織市場聞名于“blokat”,這里正在經歷著復興浪潮,一些諸如From Mud工作室等黏土創意活動就在此進行。

    Project particularity - Kuwait’s textile market, widely known as ‘blokat’, is seeing a wave of regeneration where creative initiatives such as From Mud are inhabiting such spaces.

    黏土藝術的意義——From Mud Design工作室第11張圖片

    就城市而言,這座建筑曾經是這里最大的購物中心,它定義了全新且現代的城市環境,而如今,人們所看到的零售人員仍然位于街道上,但是,上部樓層已經十分擁擠,就像From Mud工作室這樣的空間似乎能夠優化城市結構,引入新能量,讓人們來到曾經被忽視的環境之中,建筑的立面包裹著混凝土面板,讓內部空間免受強烈日照的影響,這又讓人可以想象成這是零售紡織面板的表達,在這里,內部空間仿佛成為了對室外空間的呼應與贊美。

    In an urban sense, the building From Mud calls home was once the largest shopping center in the city. It defined a new and modern urban environment functioning as a covered market. Today, we see the retail vendors have remained on street level, however, the upper floors have fallen tired. Spaces such as From Mud, are shifting the urban fabric and introducing young energy bringing an audience up into rather neglected spaces. The façade of the building is protected from Kuwait’s harsh sun by concrete plates that one cannot help but imagine as a reflection of the fabric palettes sold downstairs. This was translated into the adjustable shelving in the interior as an ode to the exterior.

    黏土藝術的意義——From Mud Design工作室第12張圖片

    黏土藝術的意義——From Mud Design工作室第13張圖片

    黏土藝術的意義——From Mud Design工作室第14張圖片

    建筑設計:Rawan Muqaddas
    類型:工作室/工作室室內/文化室內
    面積:98 m2
    時間:2021年
    攝影:Mohammed Ashkanani
    制造商:AutoDesk, Enscape, Ferm Living, Lrnce ceramics, Trimble Navigation
    建筑設計:Rawan Muqaddas
    協助繪圖:Melis Ugurlu
    城市:科威特
    國家:科威特

    WORKSHOP, OFFICES INTERIORS, CULTURAL INTERIORS
    KUWAIT CITY, KUWAIT
    Architects: Rawan Muqaddas
    Area: 98 m2
    Year: 2021
    Photographs: Mohammed Ashkanani
    Manufacturers: AutoDesk, Enscape, Ferm Living, Lrnce ceramics, Trimble Navigation
    Architect: Rawan Muqaddas
    Drawing Assistance: Melis Ugurlu
    City: Kuwait City
    Country: Kuwait

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